Sermon for the Fourteenth Sunday after Trinity, Evening Prayer
“Be it known to you, O king, that we will not serve your gods
or worship the golden image which you have set up.”
We know them better, perhaps, by their Hebrew names from the canticle, the Benedicite, Omnia Opera, taken from the Apocryphal book, the Song of the Three Young Men, regarded as an addition to the Book of Daniel between verses 23 and 24 of this evening’s first lesson from the 3rd chapter of the Book of Daniel. The canticle, appointed for use at Morning Prayer, speaks of Ananias, Azarias, and Misael. Here they are known by their Persian or pagan names of Shadrach, Meshach, and Abednego, colourful and memorable names, to be sure.
And a colourful, memorable and powerful story. But then, that is a feature of the Book of Daniel, a book comprising six stories and four dream visions, a book which has bequeathed a number of memorable commonplaces which are, perhaps still with us even in our biblically illiterate era. We still speak of “feet of clay”, of “the writing on the wall”, of being “in the Lion’s den”, and, for the historically minded, perhaps, “the king’s matter” – a reference from the Book of Daniel delicately applied to Henry the VIII with respect to his divorce from Catherine of Aragon. Written during the Hellenizing reign of Antiochus Epiphanes, following upon the conquests of Alexander the Great, the stories are set in an earlier period of persecution and conquest when Israel was in captivity in Babylon.
They are stories of courage and conviction, stories which reveal the primacy of faith and the worship of God in his majesty and truth over and against the tyranny and overreach of worldly powers and potentates. Here Daniel’s companions are put to the test about their primary allegiance: to God or to the image of the King Nebuchadnezzar who ordered that at “the sound of the horn, pipe, lyre, trigon, harp, bagpipe, and every kind of music” everyone was to fall down and worship the golden image? Failure to comply meant being cast into “a burning fiery furnace”. Charmingly and colourfully told, with the fourfold repetition of the cacophonous command, for instance, it concentrates an all important question of conscience. What do you really value? Or to put in the language of Matthew from tonight’s second lesson, “where your treasure is, there will your heart be also.” What do you treasure? Which is a way of asking what do we really worship? God or ourselves in our practical, hedonistic and economic pursuits?