Sermon for the Feast of the Epiphany

“They saw … they came … and worshipped him”

Unlike Caesar who proverbially came, saw and conquered, the Magi-Kings saw, came, and adored. They were conquered by what they saw. They “fell down and worshipped.” They beheld, through the leading of a star, the child-King of Bethlehem. In their adoration, they “opened their treasures and presented unto him gifts; gold, frankincense, and myrrh,” ‘sacred gifts of mystic meaning,’ as one of our hymns wonderfully puts it. Such really is the real origin of gift-giving, the giving of gifts in honour of the gift that is given in Christ’s holy Nativity.

Epiphany marks the completion of Christmas. Everything which belongs to sight and sound, to art and music, to prayer and praise is finally gathered together. The imaginary of Bethlehem is now a crowded place of images derived at once from holy scripture and from holy imagination. With “the adoration of the magi”, the pageant of Christmas is now wonderfully complete.

And over. At least, the account of what we have come to call Epiphany marks both the completion of the mystery of Christmas and inaugurates a new and different consideration. The Journey of the Magi impels, in fact, another journey, one that conveys a profound sense of disquiet and unease. “Being warned of God in a dream that they should not return to Herod, they departed into their own country another way,” Matthew tells us. “No longer at ease,” T.S. Eliot suggests, because they are profoundly changed by the mystery which they beheld in Bethlehem. Somehow what they worshipped and adored stays with them and has its way within them. Something has changed. There is a questioning wonder about what we have been given to see. As Eliot’s poem, the Journey of the Magi, puts it:

Were we led all that way for
Birth or Death? There was a Birth, certainly,
We had evidence and no doubt. I had seen birth and death,
But had thought they were different; this Birth was
Hard and bitter agony for us, like Death, our death.

The awareness of our limitations, of which death is the greatest and ultimate limitation, is the birth of philosophy. It is an ancient theme, constantly reworked and replayed in myriad ways. The death of Enkidu gives birth to Gilgamesh’s quest for wisdom in The Epic of Gilgamesh and launches him on a journey through the realms of the deep darkness of death, the home of the sun which in the ancient understanding arises out of the darkness and sets into the darkness. The death of Patroclus occasions a philosophical crisis for Achilles in Homer’s Iliad. And so for Plato, for Augustine, for Dante, for Shakespeare, for Descartes, the list goes on and on, but in one way or another, the awareness of human limitations gives birth to reflection and wisdom.

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Week at a Glance, 7 – 13 January

Monday, January 7th
4:35-5:15pm Confirmation Class – Rm. 206, KES

Tuesday, January 8th
6:00pm ‘Prayers & Praises’ – Haliburton Place
7:00pm Parish Council Meeting

Wednesday, January 9th
6:00-8:00pm Sparks – Parish Hall

Friday, January 11th
6:00-9:00pm Pathfinders & Rangers – Parish Hall

Sunday, January 13th, The First Sunday after the Epiphany
8:00am Holy Communion
10:30am Holy Communion

Upcoming Event:

Tuesday, January 15th
7:00pm Christ Church Book Club – Coronation Room: In Search of a Better World: A Human Rights Odyssey by Payam Akhavan and Tears of Salt: A Doctor’s Story by Pietro Bartola and Lidia Tilotta.

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The Epiphany of Our Lord

The collect for today, The Epiphany of Our Lord, or The Manifestation of Christ to the Gentiles, from The Book of Common Prayer (Canadian, 1962):

O GOD, who by the leading of a star didst manifest thy only-begotten Son to the Gentiles: Mercifully grant, that we, who know thee now by faith, may be led onward through this earthly life, until we see the vision of thy heavenly glory; through the same thy Son Jesus Christ, who with thee and the Holy Ghost liveth and reigneth, one God, world without end. Amen.

The Epistle: Ephesians 3:1-12
The Gospel: St. Matthew 2:1-12

Carlo Dolci, The Adoration of the Kings (1649)Artwork: Carlo Dolci, The Adoration of the Kings, 1649. Oil on canvas, National Gallery, London.

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