Sermon for Christmas Eve
“In him was life, and the life was the light of men”
What does it mean to celebrate Christmas in a post-Christian culture? Is it simply nostalgia? Is it our longing for an imaginary golden age which, of course, never was? Is it our holding to traditions and customs simply out of sentiment and feeling? George Steiner’s 1974 Massey Lecture, Nostalgia for the Absolute, points to a deeper kind of longing, one which belongs more profoundly to the mystery of Christmas. It is the human longing for God in whom is the life and the light of our humanity.
He examines three nineteenth century substitutes for the Christian religion in terms of Freudian psychology, Marxist economics, and the social anthropology of Claude Leví-Strauss, all of which sought to take the place of religion, especially the Christian religion, as the overarching narrative or story that embraces and explains our lives. All failed, he notes, but left in their wake a vacuum into which all manner of fancies and fantasies have rushed in. Their legacy is very much with us in the various pseudo-religions of contemporary secular culture, even within and without the churches, despite the postmodernist claim of “incredulity towards all metanarratives”(Lyotard). They are all the parodies of true religion and liturgy, especially of the Christian liturgy, and belong to the competing claims and confusions about the self. But as parodies, they point us to the deeper mystery of Christmas which they presuppose.
Dame P.D. James, the great British mystery writer, in her novel The Children of Men, written in 1992, speaks with great insight about our current world. The novel is set in the future; 2021, in fact, and thus speaks very much to our present. “Western science has been our God,” she notes. This we know only too well in our techno-utopian optimism which thinks that salvation lies in technology and in our technocratic culture, utterly unaware of how this way of thinking is itself a problem. In the novel, this dominant scientific outlook finds itself utterly confounded by a barren world of universal infertility. There are no children, no prospect of life, only a world of the terminally ill. Such is the culture of death, a culture which is anti-life. Our culture.
The entire novel touches upon almost every moral and social issue of our time: from reproductive technology to euthanasia, from immigration to health care. The impotence of the human race humiliates “the very heart of our faith in ourselves.” Confidence in science and belief in the endless progress of humanity is shattered by the encounter with the stark reality of an absolute limit; mortality in the form of the empty womb. The womb has become a tomb. But the real barrenness is the emptiness of our souls.
